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Cast as an “electronic erotic seductress,” the multiple costumes and roles performed by Jonas critically examine the ever-changing, but consistently unequal roles of women. The camera gazes at Jonas, implicating the viewer in the work and further, with her body. Her intentional de-synchronization of the monitor's receiving and transmitting frequencies results in the on-screen image's repeated vertical descent. Creating a sense of fragmentation, the vertical roll relentlessly pounds at the images of the artist as she moves through a series of performed identities. Characterized a "disjunctive self portrait" by the Electronic Arts Intermix, the image content of the work is strongly mediated by the mirror-like function of the camera, scrutinized by the lens and subjected to violence by the vertical roll.
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| Platform | Score | Points |
|---|---|---|
| IMDb28 votes | 6.6 | 6 pts |
| Rotten Tomatoes | not available | skipped |
| Metacritic | not available | skipped |
| Letterboxd | not available | skipped |
Scores from IMDb. Updated weekly.
28 votes across 1 platformVertical Roll (1972) has a Lantern Score of 6.6, from IMDb 6.6.